The media is now attempting to defeat us in Ramadi, as it did in Tet:
Captain Jeffery Pool, Public Affairs Officer for the 2nd Marine Division, disputed the claims in the harshest of terms, and rebuked the media for its mis characterization of events.
Was the paper involved in a murder coverup?
We have here a perfect example, in an area that I’ve noted previously:
During the whole time I was there [at the San Francisco Chronicle] I constantly pleaded with the powers that be to do the online version of the classifieds right, the way it could be done with all the power of the web. At that time, 1995, craigslist was still a gleam in Craig Newmark’s eye. The Chronicle owned the classified space for the Bay Area. I created a classified section on sfgate, but it was just an online version of what was in the newspaper, no more, no less. I argued that we should add interactivity, let people purchase ads online cheaply, have pictures and links, make sfgate.com the goto place for everybody in the bay area to buy, sell, rent, and know everything.
But this was utterly impossible. It was a question of turf. There was a large department that sold and processed classified ads. It was a major source of revenue, employed a lot of people, and had a big budget. No way they were going to yield that turf to a bunch of weirdos over at the six person, unprofitable, experimental web site crew. Besides, online ads would cannabalize the whole business. Even as time went on, and craigslist grew and the sfgate website traffic and personnel grew, there was never any possibility of going up against the entrenched bureaucracy. Newspapers are the most old-fashioned organizations left alive in the marketplace. Even book publishing companies are more with it.
They couldn’t innovate themselves, because it would have wrecked an existing profit center, but by avoiding it, they let someone else do it to them instead.
This is the fix that NASA is in as well. They can’t innovate, because the politicians (and their own internal fiefdoms and rice-bowl sitters) won’t let them shed the jobs in Houston and Huntsville and at the Cape that would be destroyed. So instead, they’ll be put out of business in a few years.
Of course, given that (unlike newspapers) they’re not a business, it’s possible that they’ll continue to get their multi-billion dollar stipend from Washington, but it’s hard to believe that even they will be able to continue to persuasively justify their hyperexpensive elitist activities in an era of cheap private access to space.
We have here a perfect example, in an area that I’ve noted previously:
During the whole time I was there [at the San Francisco Chronicle] I constantly pleaded with the powers that be to do the online version of the classifieds right, the way it could be done with all the power of the web. At that time, 1995, craigslist was still a gleam in Craig Newmark’s eye. The Chronicle owned the classified space for the Bay Area. I created a classified section on sfgate, but it was just an online version of what was in the newspaper, no more, no less. I argued that we should add interactivity, let people purchase ads online cheaply, have pictures and links, make sfgate.com the goto place for everybody in the bay area to buy, sell, rent, and know everything.
But this was utterly impossible. It was a question of turf. There was a large department that sold and processed classified ads. It was a major source of revenue, employed a lot of people, and had a big budget. No way they were going to yield that turf to a bunch of weirdos over at the six person, unprofitable, experimental web site crew. Besides, online ads would cannabalize the whole business. Even as time went on, and craigslist grew and the sfgate website traffic and personnel grew, there was never any possibility of going up against the entrenched bureaucracy. Newspapers are the most old-fashioned organizations left alive in the marketplace. Even book publishing companies are more with it.
They couldn’t innovate themselves, because it would have wrecked an existing profit center, but by avoiding it, they let someone else do it to them instead.
This is the fix that NASA is in as well. They can’t innovate, because the politicians (and their own internal fiefdoms and rice-bowl sitters) won’t let them shed the jobs in Houston and Huntsville and at the Cape that would be destroyed. So instead, they’ll be put out of business in a few years.
Of course, given that (unlike newspapers) they’re not a business, it’s possible that they’ll continue to get their multi-billion dollar stipend from Washington, but it’s hard to believe that even they will be able to continue to persuasively justify their hyperexpensive elitist activities in an era of cheap private access to space.
We have here a perfect example, in an area that I’ve noted previously:
During the whole time I was there [at the San Francisco Chronicle] I constantly pleaded with the powers that be to do the online version of the classifieds right, the way it could be done with all the power of the web. At that time, 1995, craigslist was still a gleam in Craig Newmark’s eye. The Chronicle owned the classified space for the Bay Area. I created a classified section on sfgate, but it was just an online version of what was in the newspaper, no more, no less. I argued that we should add interactivity, let people purchase ads online cheaply, have pictures and links, make sfgate.com the goto place for everybody in the bay area to buy, sell, rent, and know everything.
But this was utterly impossible. It was a question of turf. There was a large department that sold and processed classified ads. It was a major source of revenue, employed a lot of people, and had a big budget. No way they were going to yield that turf to a bunch of weirdos over at the six person, unprofitable, experimental web site crew. Besides, online ads would cannabalize the whole business. Even as time went on, and craigslist grew and the sfgate website traffic and personnel grew, there was never any possibility of going up against the entrenched bureaucracy. Newspapers are the most old-fashioned organizations left alive in the marketplace. Even book publishing companies are more with it.
They couldn’t innovate themselves, because it would have wrecked an existing profit center, but by avoiding it, they let someone else do it to them instead.
This is the fix that NASA is in as well. They can’t innovate, because the politicians (and their own internal fiefdoms and rice-bowl sitters) won’t let them shed the jobs in Houston and Huntsville and at the Cape that would be destroyed. So instead, they’ll be put out of business in a few years.
Of course, given that (unlike newspapers) they’re not a business, it’s possible that they’ll continue to get their multi-billion dollar stipend from Washington, but it’s hard to believe that even they will be able to continue to persuasively justify their hyperexpensive elitist activities in an era of cheap private access to space.
From Andrea Harris, via my comments section:
…neither Rand nor Mark Stein said that Hollywood is losing money because they no longer make “morality tales.” Why don’t you try reading the article? Steyn said that the reason Hollywood is losing money is because 1) the cramped, uncomfortable theaters with bad, blurry pictures run by inept crews, 2) the dull, bland, safe rehashing of the same three ideas (wacky girl and guy fall into comic hate-love, hilarity ensues, also car chases; brooding freethinking manchild who is still in love with his divorced Only Wife is Abused By the System — which is represented by short-haired white men in suits, aka Republicans; or occasionally, blond neo-Nazi terrorists with fake Cherman accents — and Loses Everything He Has But His Dignity, with car chases and explosions; and brooding, mature woman-goddess is Hurt By Men, but is redeemed by her Feisty, Bitchy, Neurotic, Yet Wise Beyond Their Prescriptions female friends — no car chases and the only explosions are screaming cat fights that dissolve into hugs ‘n’ tears) 3) the stifling political correctness that covers the industry like a blanket of mold and which has done something formerly thought impossible: made the Catholic League for Decency (or whatever they were called), the Hays Commission, and the dreaded Joe McCarthy and HUAC look like a bunch of fun party people.
He noted that Harry Potter was a phenomenon, but one unconnected to the overall problem of the no-fun suck that Hollywood’s output has become. He did imply that people go see the Potter movies because they seem to actually accept that there is good and evil in the world, not just “accepting” and “hurtful.” They also aren’t overly concerned with political correctness, though Rowling is careful to have Indian and black students in the wizard school, and one of Goblet of Fire’s subplots is (at least in the book, I haven’t seen the movie) about bigotry against the “different,” in this case, giants — but at least no one gets up and stops the action dead to make a speech, or worse. If the current minds behind today’s thrillers with the fake “nazis are the only acceptible villains” terrorists in them had been in charge of the Potter films Harry would have been cast as a black lesbian paraplegic and there would have been no magic to avoid insulting Wiccans.
Mark Steyn explains that it’s political correctness:
…I stopped to buy the third boxed set in the ”Looney Tunes Golden Collection.” Loved the first two: Daffy, Bugs, Porky, beautifully restored, tons of special features. But, for some reason, this new set begins with a special announcement by Whoopi Goldberg explaining what it is we’re not meant to find funny: ”Unfortunately at that time racial and ethnic differences were caricatured in ways that may have embarrassed and even hurt people of color, women and ethnic groups,” she tells us sternly. ”These jokes were wrong then and they’re wrong today” — unlike, say, Whoopi Goldberg’s most memorable joke of recent years, the one at that 2004 all-star Democratic Party gala in New York where she compared President Bush to her, um, private parts. There’s a gag for the ages…
…”Stealth” was a high-tech action thriller about USAF pilots zapping about the skies in which the bad guy is the plane.
That’s right: An unmanned computer-flown plane goes rogue and starts attacking things. The money shot is — stop me if this rings a vague bell — a big downtown skyscraper with a jet heading toward it. Only there are no terrorists aboard the jet. The jet itself is the terrorist.
This is the pitiful state Hollywood’s been reduced to. Safer not to have any bad guys. Let’s make the plane the bad guy. No wonder it’s 20th century Britlit — ”Harry Potter,” ”Lord of the Rings,” ”Narnia” — keeping those Monday morning numbers up. It’s Hollywood’s yarn-spinning that’s really out of focus, and in the end even home entertainment revenue won’t save a storytelling business that no longer knows how to tell any.
American Future has usefully dissected the New York Times’ evolving editorial policy over the past twelve years on the subject of Iraq. Bottom line (as Joe Katzman notes): they’re partisan hacks.
Here’s a story from AP, that has items such as:
In Mosul, extraordinary security measures were underway Sunday around the house where the insurgents died, Iraqi officials said. American soldiers maintained control of the site a day after a fierce gunbattle which broke out when Iraqi police and U.S. soldiers surrounded a house after reports that al-Qaida in Iraq members were inside.
Three insurgents detonated explosives and killed themselves to avoid capture, Iraqi officials said. Eleven Americans were wounded.
Meanwhile, four Christian women were killed Sunday night when gunmen stormed their home in a Christian district of eastern Baghdad, police said. The gunmen stole valuables and the motive for the attack appeared to have been robbery, police added.
The latest deaths occurred at the end of a violent three-day period in which at least 140 Iraqi civilians died in a series of bombings and suicide attacks
…in Iraq:
Few of the troops understand that the news business is driven by dramatic events, not the tedious kind of process the troops go through every day to defeat the terrorists. To the troops, the war is being won. They see bad guys killed in large numbers, and few Americans getting hurt (it