Tibor Machan writes that Hollywood only finds villains nuanced when they’re anti-American:

Let us not forget that most of the writers and producers in Hollywood — the ones who make a quintessential American institution, namely, business, look so terrible in their various vehicles — are politically sympathetic with the Left. They have been that for a long time. (Even today, after the true nature of communists has been clearly demonstrated — based on, among other things, KGB and similar archives — there is still far more hostility shown from much of Hollywood against Joe McCarthy than against Joe Stalin — for instance, in George Clooney’s movie, “Good Night and Good Luck”.)

No, there is no sudden discovery of subtlety and complexity within the minds of evil people by Hollywood writers and producers. Rather what we have here is apologetics, plain and simple. The folks who put out this stuff just cannot work up a genuine disgust of terrorists because, well, most of the terrorists share their anti-American point of view. That seems to suffice for them to place most terrorism — which, one must keep in mind, consists primarily of killing people who are innocent, among them civilians and many children, and whose only “crime” is to be Americans or Westerners, meaning, they belong to the tribe the terrorists want to wipe out — into a sympathetic light.